From the left is from the Nutty vs. Nowhere Boy battle, my second battle on this site, back in January 2006. It also demonstrates using the airbrush tool in a bad way.
The right one is from a Kirby comic I did for a Kirby fanzine. It also demonstrates using the airbrush tool in a good way.
Before Void, I knew nothing about drawing comics. I remember having a tough time trying to draw things inside panels back when I was using Photoshop as my primary drawing program. Apparently, I had this fondness of using Photoshop's god-awful airbrush tool for shading, shadowing, and lighting for the comics yet to come (it shows in
Nutty's intro comic and completely shows in the
Nowhere Boy battle), as well as line-less backgrounds drawn using the polygonal lasso tool, and the use of gradients. The reason for those was so I could try to mimic that of 2D-animated Disney films (including the soft-shading they use on their characters), but in the end it was poorly executed and it just looks like a 12-year-old just discovered Photoshop.
It wasn't until 2007 when I discovered Manga Studio 3; the inking system was far beyond better than Photoshop's default brushes, it had perspective rulers, shape rulers, AND it had a comic panel system that was easy to use! The only catch was there was no coloring; the program itself was made for manga-drawing only. I would later discover IllustStudio the next two years, made also from the same company, Celsys. That program was made for painting illustrations just like Photoshop and SAI, while drawing is very similar to that of MS, but it had no panel-making features like that program did. Because of that, I had to use IllustStudio and Manga Studio simultaneously to make comics with (because they both share the same main file formats CPG and CST), up until the release of their successor Clip Studio Paint in 2012. CSP is now my primary drawing program for comics, drawings, sketches, etc. and I never want to let go of it.
Not only did I change the way I draw comics, but my art style started to change over the years as well; with cleaner, thicker lineart and improving anatomy. This changing art style begun to change the way I draw my characters as well. Dolly for example, as I felt she changed the most out of all of my characters in Void.
She went from looking like this....
....to this......
.....in the course of 9 years.
The Great Switcheroo
Celif vs. Brett Black
@ 3:46 PM Apr 30th