I think you could also benefit by filling in more space on the page. I notice when you don't have a lot of things on one page they're only taking up about half of the available space. This is something I got told a lot because I always had my nose down on the paper, I couldn't really see I was using so little of my page until I was finished. I don't know about you, but when I started to use the full page, I realized I could spend more time on the little things, better use poses, and it gave me the ability to test my spacial senses and compositional design capabilities.
Try some really rough gesture work, pretty much like wire frames. You give yourself a vague idea of a pose, and then you leave it like that. It's very handy to draw small gestures when thinking of larger poses for comics, then you can spare the energy of drawing full detailed figures and finding out it doesn't feel right. The way I learned to do these it to focus on the shapes and the weight. Use a thicker line, or darken the lines in areas where there is stress on the body, and don't bother with details. Focus on getting as many done in a small period of time as possible. With gestures, the more you make, the more you learn, really. It also helps to use references, as it always does, really. There was a site I'd seen once where they used a poser type program to make slideshows of poses, and you could set the time in-between sliding from anything between 5 seconds to however many minutes. If anyone else here knows it, hopefully they can give it to you as I've long since forgotten.
Little World
Sable
@ 7:58 PM May 14th