[(Pi)]

Here's a big fat art dump, courtesy of updating my portfolio.

[PyrasTerran]

great stuff keep it up.

[Elyan]

Whoa i really like the portraits Pi. Didn´t knew are doing this and also that good.

[E.W. Schneider]

Break me off a piece of that.

Really like the portraits too, this is all a real nice display so far.

[Sean]

Holy fucking epic improvement!

[InkyBrain]

Is...is that a ZOMBIE? :B

Beautiful portraits!

[Rama]

Those portraits are really nice, but for some reason I liked the storyboard about the man with the hat too. I probably enjoyed that a little too much actually.

[beardedMenace]

My favorite.

Great work Pi.  Would love to see those storyboards in motion.  Make it happen?

[(Pi)]

so i was talking to some people about how it felt a bit unnatural to draw without a live model now, but i've been breaking down those walls slowly. doing some character designs for my thesis projects, you can take a look at them. they're not final concepts by any means, but maybe you guys can help me out (more on this later).

"Challenge" is a fight scene between these two characters:


"Witch" is a weird western story based on the Crystal character I was developing a while back in the incubator.



"Rummager" is a story about a little girl who lives in a scavenger society.




These are good seeds for design, I think, but I don't think I'm good enough of a conceptual designer or illustrator to really sell them. So, if you guys have any ideas on where to go from here, feedback would be much appreciated. Better yet, if anyone is interested in helping me visually develop my films, I can promise you a film credit and lots of love. Also, if you yourself are working towards some kind of illustration/concept art degree, maybe this could be mutually beneficial for both of us.

Thanks for taking the time and looking at my drawings!

[(Pi)]

so, i learned a lot in the past year. i think my art shows that.

[Kuro]

Loving those backgrounds, dude. It's all looking nice.

In the turnarounds of the kid, don't be afraid to add more s curve to make him more dynamic. He's a little too rigid straight up & down. Like in the side, it works in the neck but I think about pushing the waist forward & the feet back a scouch. Even for design sheet standards, it's good to aim for the most natural.

[(Pi)]

here are some webcomics i've been doing for this comedy site i started with my friends.







i think i'm going to be changing the way i draw the characters, i thought i wanted it one way, but i'm feeling like that's too restrictive. anyway, check us out at http://dipstickswagger.com

[(Pi)]

stuff from my advanced perspective class.

[chunkplex]

Hey man, you're coming along pretty well.

Good shots there, I like how each one tells a little story. My fav is the woman in the window. The snake tat is rad, too bad it cropped so close.

A few of these could use some more varied line thickness. You might also want to try feather in some lines to create some depth/definition/shadows, it will help to make your art not look so flat (especially if you don't plan on colouring). Some hand-size problems in a couple of the first few, but you get better towards the bottom ones.

Don't be afraid of using a ruler either

[(Pi)]

more stuff from advanced perspective.

[(Pi)]

stuff from clothed figure: