arrow_back
Armageddon 2020 Collab: Road to Hell
by
Snowy,
Fluffsamasprime,
Rursus,
Rikun,
Flytee,
Putrid,
Petrichor,
Cab,
Batty,
Flutterbyes,
snager,
RanZombie,
Kozispoon,
Heathen,
OberGoat,
TheCydork,
Orion,
Footini,
Pita (Slowly getting back into it),
BuggyPumpkin,
CandycornRhino,
FrankenToon,
Rose,
Crocostyle,
Platinumartist,
DoeFr,
Symon_says
Open to any comments or critiques
This comic has not been rated; viewer discretion advised.
Comments (19)
Waiting for U to Go
This was just fun. I like that the collab was framed as Meredith reading stories and Saal dicking around. Their expressions were great, also those weird Parries scared the hell out of me when I scrolled down but I kinda like them now? The vaguely cursed energy suits them well. However, I found it weird that most of the time, both characters were in black and white and then there was that single tiny shot of them fully coloured. They also didn’t seem to be connected to the environment - even if they’re in a floating void, they should have shadows when they’re standing on the bits of rubble. Also idk if it was intentional, but I noticed a lot of the panels are somewhat transparent? So I can see background lines through their faces.Drunkard Yells at Dogs
Hah, I like that you subverted the whole “guy oblivious to chaos around him trope” at the last minute and revealed Rickter to be aware the whole time. And that final shot of the city looked sick! The perspective was really wonky though, especially in panels 2 and 3.A Safer Hell
Part 1, Candy - This lighting? Absolutely sick. The panels were dynamic, and damn that last shot on page 2 of Proto absolutely destroying that demon was great. He looks like he has no neck sometimes though, the most noticeable being in panel 2 page 4. Also at times, characters blended in to the background as everything was in similar shades of red. Ran2 - It was cool to see Candy’s characters with thinner lines and more line variation, which you did well. Love the typography as well! Also since you lined Croco’s stuff too, I’m gonna go ahead and comment on that too bc damn did his stuff look great with clean lines! Part 2, Croco - I really enjoyed this. It just looked so cool, the layout and colours were great, and I absolutely loved page 44! Part 3, Franken and Putrid - Damnnn. This ominous lighting is AMAZING, I love it! You two work really well together :) I don’t think I have any crit tbh. I just really enjoyed these pages. Overall - There were some story beats that bugged me, idk who wrote this so I’m just putting it in its own section. Why does Proto want to help? Iirc his motivations were to find Redacted. Why does he just go along with helping survivors? I’d have liked to see more of his thought process. Croco, Marie and Cecil I can understand a little more, but I still feel like they all banded together far too easily.Diablo Takedown
Both of you, nice little story! I love the 3rd panel on page 11 and the penultimate one on page 13. That was just *chef’s kiss* with the silhouettes and pile of defeated demons! I feel like this could have done with some more backgrounds though? Page 12 had basically nothing but grey backgrounds, aside from a pretty basic establishing shot of the hole in the wall, and apart from that awesome shot on page 13, the rest of the panels were pretty bare too. I also had no idea what was going on in panel 3 on page 13. I assume it has something to do with nopalito’s nose since he rubs it in a later panel? It does look odd though and honestly a little lewd at first glance.Deeper Underground
Part 1, Rikun - Great last shot on page 14! Liked the angle in the last panel on page 16 too. And what a cute Gutsy reunion haha. The pipe felt like kind of a cop out though - Gutsy and Itami have just fallen down from a hole above them, and they’re standing directly below said hole, but suddenly a pipe is above them? There’s also no light coming in from the hole, it appears the ceiling has sealed itself up. Footini - Your pages looked awesome! Dairyu and Cryptid have great movement on page 17, and I love how you did the water. Everything was just very full of energy. Page 18 was kinda confusing though; it was a really creative panel, but characters seemed to switch positions a lot and I couldn’t tell if it was supposed to be a whirlpool or just different points in the “river” curled round to form panel borders. Petrichor - Oh man, I loved those underwater scenes! The bubbles were such a nice touch. I also dug your use of cool angles here, like Gutsy looking into the water, and Rae swimming up to safety. That second panel on page 23 was rad too, really ominous. And awwww man Guts losing her mask ;; that hug with Rae after was super sweet and tender ahh. Crit-wise, the water looked way too still, almost totally flat on page 20 before everyone started swimming. You can see water still flowing in from the pipe behind the group, but we only see teeny ripples where the flow connects to the water and around each individual. The lack of variation in water colour or transparency compounds this effect. And on page 21, it doesn’t look as if the group just got out of the water. They don’t look wet at all - their clothes and hair hang normally, there’s no water shine on them etc - and there are no water drops on the ground around them. I notice on page 23 you DO show some of these things (though their clothes still seem dry), so was this a time thing? Though in general, you don’t seem to treat the water as, well, water. Rae is able to hold her breath for seemingly ages and be just fine, there’s no dappling on the skin underwater, Guts is able to dropkick a demon even though it’s hard enough to even walk through water, etc. Snowy - Omg I love how you draw Gutsmasher! You manage to make her look both elegant and powerful at the same time. The frog demon too, so cute. While normally I would comment on the lack of pulled back shots, I think the closeups work here since they’re underground and in a cramped environment, and the “camera choice” definitely gives a claustrophobic vibe. I wasn’t sure about the reading order on page 24 though, I also don’t know what the first panel meant by “you weren’t in control”. I don’t know who’s talking to who, and about what. Now that I think about it, is someone talking to Sammy about the Cryptid? Part 2, Flytee - Congrats on finishing these pages amidst house buying madness! You drew frog demon Blue so cute, omg, and I loved the imagery of those bloodied souls just unfurling and descending from the walls. Also wow that mantis demon! Love her. Page 53 is super confusing in terms of reading order though. I didn’t know which dialogue box to read first. Don - I comment on your colours lower down, but as for the rest of the art, I really dig these poses and expressions. Blue and Sammy’s faces on page 56 especially got me, and the differing poses while they’re all frantically running looks super cool. You captured the frenzy while still making each silhouette clear and fluid. The demon also looks sick in your style. However, due to the simplification of the clothing and lighting overtaking everyone’s individual palettes, I often had difficulty telling the human ladies apart. At first glance, I couldn’t, I had to stop and squint to see ah, a pair of glasses, a crop top etc. Their bodies and faces all kind of look the same, until that last shot with them looking into the phone. Overall - Idk who wrote this, or if you all co-wrote it, but I enjoyed it! Even though there was danger after danger, it didn’t feel forced in for the sake of nonstop action. There were still moments of downtime to breathe, and the events flowed smoothly despite each person doing their own set of pages. Bravo!Boomer Humor
snager - Kurdis’ faces fucking KILL ME. I want the grocery shopping panel framed and on my wall. And the weird wobbly hand immediately afterwards, I’m getting like.. idek what you’d call it but the Vibe of those goofy, over the top animated YouTube videos but in the best way. Also idk if it was you or Doe but that single smiley face from Kurdis amidst the chaos of hell rising also got me. Doe - Hey hey, congrats on your (somewhat) Void debut! This story was funny as hell, and your writing worked great with snager’s visuals. The story kind of ended abruptly though. I expected at least a reaction from Kurdis to conclude things but instead it just... stopped.Bloodletting
I love that these two villains are possibly teaming up hoo *eyes emoji* Kozi - Love your inks and shading!! The pink blood was a lil weird though haha, I’m getting Danganronpa flashbacks. Also what a cool idea to have Evelin tuck away her soul like that and leave Remy hurt for once. Excited to see where this relationship might go! Buggy - Mannn I love this palette you chose! It’s not something I’d expect for an underground scene, but those soft pinks and purples just look so nice. And I like that you mixed things up with the lil chibis and that panel where all those newspapers flash behind Evelin’s head. I kinda feel like you should’ve tried to match Kozi’s colouring style though? It was a little jarring to go from clear cut shading to this soft blending style, and then back to sharp again, and imo the blending also doesn’t fit with the harsh lighting of the environment.Dealing with Demons
Ober - Those panels with Jerin sealing the demon look great, but the lack of colour and overload of closeups made this comic feel kind of cramped and flat. Batty - The shading on this is so tastyyy. I’m also hype to see Croi’s debut! I really enjoyed his poses and expressions. I know you struggled a lot with the backgrounds too but they look awesome. The characters still look a bit stiff though in many of the panels.Delivered From Evil
Cab - Tiffany looked kind of odd here, like she was shorter than Veruca but had this huge head comparatively, especially in her first appearance. The screentones you used on Orion’s page also didn’t add anything imo, apart from the second panel with Veruca and David’s backs in shadows. It just kind of made the comic look messy. Bobo - Loved the colours you did for Cab’s page! The muted oranges were warm enough to set the hellish mood, but not too saturated that the characters were drowned out. I liked how you drew the demon in your page, they looked so sweet and pitiful. The fire effects were nice too. Veruca looked kinda weird when she opened her mouth though, since her teeth seemed to connect to her nose and chin. Orion - Really liked that second panel with Veruca and David’s bodies framing the demon and their friend! The lines were also really clean here, and I liked how thick they were to emphasise the angle. The very last panel was great too. Just be careful with your hands - Veruca’s left one in panel 3 appeared to have no thumb and just radial fingers. Overall - Idk who wrote this so I’m not sure who to address it to, but the story felt kind of cheap. I don’t think this is the kind of thing to tackle in just three pages. The conflict and resolution felt far too rushed to fit into the confines of this comic. Veruca changes her mind on prejudice almost instantly. It’s also.. idk, I didn’t like how the demon couldn’t speak English properly. I doubt it was intentional, but it brought to mind when kids cartoons tried to clumsily address bigotry with the whole “see! We may look and speak differently but we’re the same, don’t judge by appearances” shtick, and it put me on guard.Fire Alarma
Damn, those are some tasty colours and inks! This was, no pun intended, short and sweet. I love those gummy bears and the little details like 24/7 drugs and deli. The panel with the demons though, while cool, was very busy for me and I almost lost Sugar Rush in the clutter.Refugees If You Please
Symon, I love that shot on page 59 with Gray and Hunter in silhouette, and then their hands joining together! It’s just so sleek and neat, especially with the triangle panels around them. Th purple and red palette on page 60 was nice too, and the bright colours in general for this comic. Fun premise, demons wanting to eat burgers and loving them XD Some of the panels felt a little too busy though.Waiting for the End
I liked the panelling in this, but overall found it kind of weird. Darren is singing with a triumphant smile on his face even though the lyrics at the time speak of empty words. And is he supposed to be looking directly at the Defenders or is that just symbolic?