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Yoshiko took a brief pause to let the theatriatics of the well-built members of the team sink in before replying to Ashen.

"S'you can see'ere, w'av a Triton ready t'wipe th'floor o' any ol' medusa an' a large Bugbear who's git'a clue what'itis."

She pointed at Lai Shan.

"And th'one o'er there's done assassinations. So w'can 'elp you 'chieve vengeance. All w'ask is f'guidance through th'place. An' per'aps some payment."

Yoshiko shoo'd Luis aside as he clearly struggled with the cuffs.

"Lemme git'it." She said, as she flicked out a lockpick.

OOC: Yoshiko attempts to pick the lock with her thieves tools.
 1d20+6  = (20)+6 = 26

Yoshiko stared blankly at Ashen, who is looking quite traumatised. This was bad, she doesn't seem in any shape to elaborate upon what this Medusa was and what she was capable of.

No thanks to Aaron breaking the news prematurely.

"Don' sweat it'smuch Madam Chanterelle, ere' av a drink an' think n'stead o'... revenge 'gainst th' Medusa th' wronged you."

Yoshiko took a bottle of Honeywine and offered it to Ashen before turning towards Aaron.


Yoshiko eyes Ashen a bit before sheathing the dagger concealed in her sleeve discreetly.

This woman seems innocent enough. So the cat thought as she listened to the prisoner's ramblings.

"So whass'tis Medusa y'speak of? An'tis maze while at it? And guards? Whasshe av'tguard 'ere?"

Yoshiko entered just in time to see a naked woman in cuffs plastering herself onto a half-naked Fishman.

Immediately, she ran up to him and slapped him in the back.


She further observed the surroundings and the prisoner before adding on.

"O' dopple. Per'aps succubus. Y'better not 'av freed somethin' nasty."

OOC: Yoshiko would like to ready a dagger concealed within her sleeve while getting an Insight read on the prisoner.
Insight roll to see if prisoner is faking:
1d20+4  = ( 8 )+4 = 12

Yoshiko paused for a bit as she heard the cry for help. She deliberated jumping right in until Sharis went and touched the handprint, disappearing in the blink of an eye.

She shrugged and looked around, snatching up the cloth, a bottle of an unknown substance and a deck of tarot cards before slapping her paw onto the handprint.


Hearing the sudden noise, Sovereign places a hand on her sword. "Have we been discovered?" she hisses.

Yoshiko held up her half-gloved paw.

"Not yet, s'only seen'yenter s'all. If w'disappear, s'no reason f'them t'sspect anything! Just'sgotta wait f'..."

Her ears twitched, picking up the sound of small footsteps.

"Th' Lizard's ere!!!"

OOC: Yoshiko is also going to look around the room for stuff to grab with her nimble paws on the way out if we're leaving.

"Once everyone gets here, you all go ahead of me. I'll stay behind and conceal this room for as long as I can before I have to leave. In the time that I'll be standing by, those Queensmen will not even know there is a room here."

"Y'might wanna check'th ladder's put away too. Wouldn't want t'invite more s'spicion. W'recommen' we still stash th'painting 'fter w'disappear too, f'safety's sake."

She counted the people as they arrived.

"Edge elf... Twinklemutt... Hoods... where's th' grumplizard?"

Yoshiko saw Lai Shan arrive and handed her the glass of wine she was saving.

"Pipe down y'all. Whassat Truman? Th'recognised Sovereign thu 'th front door? S'only means th'seen one of us enter a library. All w'gotta do's 'ide all evidence and disappear b'fore showin' em th'room!"

Yoshiko stared at the painting and downed her glass of wine in a full gulp.

"M'gods, tis' vibratin. 'Seither th'real deal or some artist's git' an 'eird fetish."

Yoshiko raised an OK sign at Lai Shan before she left as she continued savoring her glass of wine. She filled the other glass with a refill, prepping it for Lai Shan lest Sharis down the entire cache before she could return.

"By th'way, y'all seen'th edgy warlock'round? "

Yoshiko addressed the Bugbear in the room in a nonchalant fashion.

"Ohhey Aaron, dn't see y'there.Th'went off t'find you, actually."

She took a sip of Honeywine... and clutched her cheek with her free hand, her face curled up in an expression of pleasure. This wine would do very fine.

Yoshiko held her cup up.

"Eeeeeeeh ah'll take a whiff. If'tastes like piss', I'll take y'on th'offer~"

Yoshiko readied her glass for the wine as she observed the painting once more as light gleamed at an angle towards it.

It still looks crappy in a dim lighting.

Yoshiko stuck her tongue out at the hooded man called Seth.

"M'tongue'snot takin well t'tastes not salty nor sweet, boy. Most booze taste like piss water."

She flicked her hair and placed a finger on her cheek, glancing back at Seth with a hint of venom.

"Sides, s'not like i'vta enforce masculine image like some chaps, eh prettyboy~?"

Yoshiko shrugged and took a glass too.

"Fineeeee~ But th'Honeywine better be sweet as th'name implies."

She stuck her tongue out and muttered something repulsive about a beverage called the Sunshine Cloud.

"S'better be'good a payout, love. Could'bmakin' big auctionin' tis scrap off now."

A magical painting to a maze huh. If that were true, has it been used before? And why a painting of this caliber and subject matter? Such things would affect how much benefit there is to selling it off sooner than later. Like that one time she was in possession of a rather suspicious sword.

Yoshiko placed the painting back down and lounged into a more comfortable position.

"Y'got some milk n'stead? Drinkin'snot f'before th'job."


Character Bio too:

Yoshiko(no surname), who goes by the alias LUCKY LUCY, was poached as a youngling by a certain Syndicate. It did not look good for the young tabaxi-hybrid. She would have been sold of as a slave or skinned illegally for her tabaxi parts.

So when the chance came, she fled.

Since then, strange rumors have spread. Some say their gold simply flew away in a blur of glimmer, never to be seen again. Others speak of a cat-eared seller of fine goods found nowhere else, one LUCKY LUCY,  appears and disappears from time to time, carrying new things every time. Few speak of a gambler who comes in and wins big before never being seen again.

Either way, she'sa cute an' speaks wi'tn accent of'a sort~

Yoshiko held up the painting, looking at it from every angle, tilting its surface against the light, trying to see scratches or traces of old paintings or sketches underneath in an attempt to ascertain its true value.

After all, that painting looked horrible. Absolute crudeness. Portraying lewdness without any inkling of artistry. Like pornographic graffiti drawn by a hobo.

"So, Benjamin M'lad? Whass'th' snitch wit' tis? Ah' poach'd it no problem, s'like pickin' an apple off th'ground. S'really worth that much, love?"

•   Where was the False Chanterelle kept? How did you infiltrate?
•   What’s the most bizarre thing you’ve sold at market? The most illegal?
Quote from: Mister Kent link=topic=13295.msg248710#msg

The False Chanterelle was cept in a Mansion, one owned by a wealthy art collector who is a complete shitter and didn't know the true value of the False Chanterelle. Hence, the False Chanterelle was kept in a simple room with little security together with a bunch of other low value paintings that could be sold off at more... lucrative prices without being missed. So, simply put, through sheer luck, Yoshiko broke and entered through a window and just swiped a few of these paintings without effort, taking with her The False Chanterelle.

When not secretly swiping goods that won't be missed, Yoshiko goes by Lucy of Lucky Lucy's Golden Wares. Here she sells all sorts of goods she acquired through many means. The strangest thing she sold off was a bodysuit of questionable taste that she advertised as a POWER MUSCLESUIT, enhancing the wearer's physical prowess. The most illegal good she has sold off is a sword, one that was likely important evidence of a controversial murder that probably also carried a curse.

spit spat, time to chat / Re: Defaults
« on: May 17, 2017, 12:39 AM »
Mostly agree with what sabu said. Also kinda neutral-but-sorta-in-favor regarding a distinct rule that Red mentioned could be implemented. It might require a trial period to see if it can help or not.

Also, a PSA: Cancelling battles is still a thing. If you really don't feel like you can do your comic, or if sudden stuff happens that ruined everything, and it's still a fair amount of time to that deadline, do let your opponent know of the situation so that you two can drop it and save yourselves some work and bad vibes.

Art Jams / Re: The changing room!
« on: Mar 08, 2017, 10:01 AM »


Oh wow your reply came in as I was typing my reply lol.

That said like consider the art jam ships as like stress relief/fun/supplementary material that you can choose to ignore or accept. Most of the people I see involved in this do churn out some cool comics anyway so I really don't see a big issue.

That said I do acknowledge that this can be a personal peeve nana, and I can only suggest tolerance. It's good that you brought it up as a peeve of yours tho, so at least now we know. :D

Also like isn't shipping happening in actual comics nowadays?

Why not both?

spit spat, time to chat / Re: That Entervoid Moment When...
« on: Aug 24, 2016, 08:18 AM »
Drawing just before the deadline like

spit spat, time to chat / Re: That Entervoid Moment When...
« on: Aug 18, 2016, 03:47 AM »
Finishing your comic in triumph after a full day crunch.

Art Jams / Re: JRPG AU Jam!
« on: Aug 05, 2016, 08:16 AM »

Minori, the Sorceress of the East

A mysterious one that lives the misty forests of the east. Those that venture to her realm often report ghosts sightings, or dopplegangers, usually prompting them to flee for their lives. All this, however, are illusions and shadows, brought forth by the Sorceress, who merely wants to live a quiet life.

Of course, there be the prophecy of a hero who would venture into her realm, vanquish her shadows and make her heart go yonder. Legend has it that when the prophecy comes true, the forest would bloom and bear plentiful fruit.

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